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TRACKLIST:
01 Goodbye World, Hello Space Island
02 Piece of My Mind
03 Heartbreak
04 Distance and Drugs
05 I Keep (feat. Tove Lo)
06 Like a Woman
07 Gaslight
08 Days Are Passing
09 Alien
10 If You Fall in Love
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As much as it can hurt, grief is a necessary part of life. It allows for the processing of loss and can be a reminder of cherished memories that will never be forgotten. Most importantly, it spurs growth and introspection. Joy may spring from sorrow, and that’s where its true value lies. Siblings Georgia and Caleb Nott, better known as New Zealand pop duo Broods, have been through much turbulence over the last couple years. They’ve since transformed it into their new album Space Island, and they’re inviting listeners to take the journey with them.
After releasing their third record Don’t Feed The Pop Monster in February 2019, vocalist Georgia went through a painful divorce, and things shut down in March of the following year as COVID-19 took hold. It was from this position that she and multi-instrumentalist Caleb first began to work on what would become Space Island, an album that struck both of them as deeply personal. Georgia recalls realizing the enormity of the emotion she poured into her writing. “There was definitely a time when I was like, ‘I don’t know how I’m going to share this with people,’” she tells MTV News. In that way, both Notts are grateful for the extended time a pandemic album cycle afforded them, as it has allowed them the distance necessary to finally talk about this project.
The duo are extremely close, and their sibling bond runs deep. While Georgia’s divorce initially spurred the creative process, Caleb says he felt his sister’s pain. He also mentions that, by the time Space Island’s songs were completed, he had also broken up with his partner. And while the pair love making songs together, they implemented some tweaks to let each other mourn properly. “There are quite a lot [of songs] that we started together, but quite a few that [Georgia] needed to write on her own. And then we needed to build around that afterwards,” Caleb says.
The concept of Space Island came early, with writing starting soon after Pop Monster’s release and the upheaval in Georgia and Caleb’s lives. Caleb, who also produces much of the pair’s output, explains that their creative process usually involves bringing in several new collaborators before narrowing down a core group of producers and writers to help complete an album. But the pandemic altered that plan. “It was just a lot of friends we worked on this album with… Most of it was just worked on by four of us who were in the same bubble,” he says, referring to Broods and their friends, producers Leroy Clampitt and Stint. Having those close relationships was key as the band worked through their pain.
To help mentally visualize this process, both Georgia and Caleb view Space Island as an actual place somewhere off in space, an idea supported by Georgia’s futuristic jumpsuit and glass coffin-like “craft” in the project’s music videos and album cover, which finds her floating down a tranquil river with a vast landscape to explore behind her. The island’s purpose is to act as somewhere to go during the grieving process. “We started to figure out how that relates to grief and loss and heartbreak,” Georgia says. “Those times after something like that happens, how you kind of feel a little bit like you’ve been flung out of orbit, and you’re feeling alienated.” From there, the idea further crystalized, and the duo began watching science fiction films from the 1960s and ‘70s to gain inspiration for both the visuals and sound of the album.
